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Larry Wallach
composer / pianist / harpsichordist / music educator
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Review: Peter Sykes draws the stops; Bach and the Roosevelt Organ draw the audience
Saint-Saëns: Apollo Among the Dionysians
Wiederkehr ans Leben: Brahms’ Piano Music, Part I (a Hoffmannesque fantasy with assistance by GerhardOppitz)
Women of the World Unite for New Music: the Festival of Contemporary Music at Tanglewood 2023
Tough Love: The Music of Elliott Carter
Grand Statements, Intimate Forces: the Return of Live Concerts
Letter from Vienna: a Week and a Half of Music (March 2023)
Opening Night for the BSO at Tanglewood: From Bad News to Good News and Back
Review: “Lulu,” opera by Alban Berg at the Met
Central European String Quartets Across the Centuries
Aston Magna Meets the Devil
The Bard Sibelius Festival Review, 2011
Blurring the Line Between Romanticism and Modernism: “Berg and His World” at Bard College
From a 2005 Interview with Larry
Why Chamber Music?
The Bard Music Festival: Erich Wolfgang Korngold’s TrajectorySecond weekend (August 16-18, 2019)
Larry Wallach's Writings
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